Skip to content

Books & rights

Royalties from publishers

A percentage of each copy sold, once the advance has been paid back.

Royalties are the classic writerly income: a slice of every sale. In British trade publishing they are usually a percentage of the recommended retail price on print, and a percentage of the publisher's receipts on ebooks. They arrive twice a year, trailing the sales by months, and they are smaller than civilians imagine.

Typical pay
Hardback often 10% of RRP (sometimes escalating); paperback 7.5–10%; ebook commonly 25% of net receipts. After the advance, if anything is left.
Ceiling
Solid ceiling
Speed
A long game
Effort
Light extra work
Needs
Needs a book

How it works

  1. 01

    Your contract sets a royalty rate for each format, and often an escalating rate after a sales threshold.

  2. 02

    The publisher accounts to you (or your agent) on a fixed cycle, deducting returns, discounts, and any unearned advance.

  3. 03

    High-discount sales — supermarkets, export, remainders — often pay a lower rate. Read that clause.

How to start

  1. 01

    You cannot start royalties without a published book and a contract. Get those first.

  2. 02

    Keep every statement. Errors in royalty accounts are not rare; they are a genre.

  3. 03

    Join the Society of Authors once you have a contract. Their contract-vetting is worth more than a dinner.

Watch out

  1. 01

    Royalty on 'net receipts' is a smaller number than royalty on RRP. Know which you have been offered.

  2. 02

    Reserve-against-returns can sit on your money for a year.

  3. 03

    If you have an agent, their commission comes off the top of royalties too.

Stewart’s note
I have published enough books, on both sides of the contract, to say this plainly: royalties are how you get paid if the book keeps selling. They are not how you eat in year one. Treat the advance as the money, and royalties as a pleasant rumour until the statement arrives.

Related streams