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Self-publishing

Self-published ebooks

You are the publisher. The store takes a cut; you keep the rest, and all of the work.

Self-publishing an ebook is no longer a consolation prize. For some genres — romance, crime, certain non-fiction — it is the main economy. You set the price, you write the blurb, you buy the cover, you run the ads, and you receive a majority of each sale rather than a tenth. The readers do not care who printed the spine. They care whether page two makes them turn to page three.

Typical pay
Store royalties are commonly 35% or 70% of the list price, depending on price band and territory. Income ranges from nothing to a full living. The median is closer to nothing; the mean is pulled up by people who treat it as a business.
Ceiling
Uncapped
Speed
First money in weeks
Effort
A job in itself
Needs
No book required

How it works

  1. 01

    You upload a finished, proofread file to retailers (Amazon KDP, and usually at least one other route via a distributor).

  2. 02

    You control metadata, pricing, categories, and the sample. The store handles payment and delivery.

  3. 03

    You are paid on the store's schedule, minus their cut, withholding tax if relevant, and any ad spend.

How to start

  1. 01

    Finish the book. Then pay a professional editor and a cover designer who works in your genre. This is not the place to save money.

  2. 02

    Learn the metadata of your category — categories, keywords, pricing — as if it were a trade.

  3. 03

    Publish more than one. A single self-published ebook is a leaflet; a shelf is a shop.

Watch out

  1. 01

    Spending more on ads than you earn is a hobby with a dashboard.

  2. 02

    Exclusivity deals (KDP Select) trade reach in one store for absence in others. Revisit the choice yearly.

  3. 03

    VAT, tax, and US withholding are real. So is a reader who leaves a one-star review because of a typo on page one.

Stewart’s note
I have been a publisher since 1990, which means I have watched self-publishing go from vanity, to threat, to a parallel industry. The writers who make money at it are not the ones who 'disrupt publishing'. They are the ones who do the publishing: editing, design, scheduling, and the unromantic work of asking strangers to buy.

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